Ethiopia’s Africa Hall, inaugurated by Emperor Haile Selassie in 1961, has undergone significant renovations, transforming it into a state-of-the-art venue while preserving its historical essence. The $57 million project, led by architect Simon Boundy, aimed to modernize the building for safe and accessible use, ensuring it reflects Africa’s ongoing journey towards unity. The central stained-glass window by Afewerk Tekle symbolizes this mission and has been meticulously restored to honor its legacy.
In February 1961, Ethiopian Emperor Haile Selassie inaugurated Africa Hall in Addis Ababa, a structure he gifted as the headquarters for the United Nations Economic Commission for Africa (ECA). Designed by Italian architect Arturo Mezzedimi, the building is distinguished by its impressive 150-square-meter stained-glass window and has historically been a significant site for Africa’s development and unity. Within two years, it served as the venue for the founding of the Organization of African Unity (OAU), fostering collaboration among African states against colonialism.
After a decade-long renovation, Africa Hall has been revitalized, marking the completion of extensive upgrades to the 12,800-square-meter site, commissioned by the ECA with a budget of $57 million. The Australian design firm Architectus, guided by project architect Simon Boundy, focused on modernizing the building while preserving its historical character. This renovation aims to enhance accessibility, safety, and functionality while honoring the site’s legacy as a cultural and conference center.
Boundy emphasized the challenge of modernizing a historical landmark without undermining its significance. By collaborating with local architects and engineers, the team enriched the renovation process. They meticulously matched 13 million new tiles to the original design and redesigned the Plenary Hall’s layout, adding seating that accommodates modern conference needs while maintaining the building’s architectural integrity.
Safety measures during the renovation included strengthening the building with carbon fiber and steel. These efforts ensured that the venue would withstand potential seismic activity while preserving its structure. The two-story stained-glass window titled “The Total Liberation of Africa,” created by Ethiopian artist Afewerk Tekle, remains the centerpiece of Africa Hall, symbolizing the continent’s struggle for independence and unity.
After being disassembled, repaired, and restored by Emmanuel Thomas, the stained-glass window displays important narratives of liberation. The renovation was unveiled alongside an exhibition dedicated to key historical events associated with Africa Hall, continuing Selassie’s vision of shaping Africa’s future. Architect Mewded Wolde remarked that Africa Hall symbolizes the enduring pursuit of unity, reflecting on its historical significance and ongoing legacy.
The renovation of Africa Hall in Addis Ababa embodies a significant milestone in preserving the historical legacy while modernizing a cultural landmark. By emphasizing safety, accessibility, and advanced technology, the project revitalizes the space for contemporary use. As a lasting symbol of African unity and the fight against colonialism, Africa Hall continues to inspire future generations. The collaboration of local architects and the meticulous restoration of artworks further enhances the hall’s importance in Pan-African history.
Original Source: www.cnn.com
