The São Paulo carnival began with the Afro-Brazilian collective Ilu Oba De Min, celebrating Black heritage through music and dance. This event, marked by traditional drumming, emphasizes both cultural pride and social activism. Quotes from participants highlight the carnival’s role in affirming identity and the struggle of Black women in Brazil.
The São Paulo carnival season commenced with a vibrant celebration led by the Afro-Brazilian collective Ilu Oba De Min. This group plays a significant role in honoring Black and Afro-Brazilian heritage through a dynamic display of music and dance, notably featuring traditional drums that symbolize both cultural expression and social activism.
Daiane Pettine, an administrator, emphasized the importance of acknowledging the influence of the Black community, noting, “You can’t talk about Brazilian carnival without acknowledging the Black population, Afro culture, and the drums.” For over two decades, Ilu Oba De Min has embodied resistance, particularly for Black women in Brazil.
Sergio Eduardo, a devoted carnival enthusiast, remarked, “This bloco represents more than just music—it’s about the ongoing fight and resilience of Black women in Brazil.” The carnival acts as a powerful forum for identity and unity among Black Brazilians who celebrate their culture and assert their ongoing fight against societal challenges. Lêda Leal, a pedagogue, stated, “For us Black people in Brazil, carnival is a time to celebrate, to sing, to dance, and to reaffirm our fight for survival.”
The opening of the São Paulo carnival by the Ilu Oba De Min collective underscored the significance of Black culture in Brazilian festivities. The event transcended mere entertainment, serving as a platform for expressing identity and resilience, particularly among Black women. The quotes from key individuals reflected the profound relationship between carnival, cultural expression, and social activism in Brazil.
Original Source: globalsouthworld.com
